Kill Bill Volume 1 may very well be a film-nerd’s wet dream as Justin proclaims but I was too busy watching a fucking shitkicker of a movie to notice. This movie draws on the concepts of honor, revenge, unescapable karmic fate, poetry in death, prose in combat, and drenching you in buckets of hot Tobasco style. In the short breaks between crushing you with an eighty pound sledgehammer of kung fu and kenpo funk Kill Bill Vol. 1 might be whispering something about another movie.
Once again the movie’s soundtrack uses real music to remind you that you’re watching something special without resorting to yet another techno track during key moments. As many Tarantino fans know, this is one of the things he does best and this movie does not dissapoint. I’ll be purchasing it and pretending I’m the Black Mamba while walking to work in the near future on sidewalks near you…
The fighting in this movie is a flat out beautiful dance to watch. Yuen Wo Ping’s best work since Fist of Legend. For those of you who aren’t in the know, that means Kill Bill Vol. 1 has the second best martial arts choreography of all time.
You try to use a sissy gun, you die. You try to kill someone without warning, you die. You oppose the will of God enacted through a hot blonde package, you die. Never has a movie existed where you knew revenge would be had so sweetly, and against such ludicrously impossible odds. The best part is you know something fantastical, something impossible and insane is going to happen, and you love every moment of it.
All I can figure is that Quentin Tarantino made a script and then asked John Wayne, Akira Kurosawa, Jesus, James Brown, Sailor Moon and Yeun Wo-Ping to get together and add a little flavor and immediately sold his soul to Satan to cinch the deal.